French Classical Style

The French classical style runs parallel with the German baroque. The organ had a highly standardized stoplist, in line with its (almost exclusively) liturgical use. The compositions were highly standardized too, generally named by the stops that were to be used (e.g Plein jeu, Basse de Trompette, Tierce en Taille) and the function within mass or the chant theme (e.g Kyrie, Gloria, Ave Maria Stella).

A series in the newsletter covered the style and the different movements and registrations often used during the period:

Videos:

Michel Chapuis – Grand Jeu Classique – St. Ouen
Michel Chapuis – Improvisations in French classical style – Chapelle Royale, Paris
Otto Maria Krämer – Suite Francaise – Plein jeu
Otto Maria Krämer – Suite Francaise – Fugue
Otto Maria Krämer – Suite Francaise – Récit
Otto Maria Krämer – Suite Francaise – Basse de trompette
Otto Maria Krämer – Suite Francaise – Quatuor
Otto Maria Krämer – Suite Francaise – Duo
Otto Maria Krämer – Suite Francaise – Tierce en taille
Otto Maria Krämer – Suite Francaise – Dialogue sur les grands jeux
Wolfgang Seifen – Suite in French Style – Marienbasilika – Kevelaer

Vidas Pinkevicius

PinkeviciusVidas Pinkevicius graduated from the Lithuanian Academy of Music and Theatre in Vilnius with Bachelor‘s and Master’s degree in Organ Performance. He also holds Master’s degree from the Eastern Michigan University (USA) under Pamela Ruiter-Feenstra. He graduated from the University of Nebraska-Lincoln (USA) with the Doctor of Musical Arts degree in Organ Performance. At UNL, he defended his DMA dissertation on Improvisation of Keyboard Preludes in the Style of J.S. Bach.

Vidas Pinkevicius has his own channel on YouTube:
http://www.youtube.com/user/vidpinkus

He also offers a free keyboard prelude improvisation course via email here.

Videos:
Vidas Pinkevicius – Painting: Pieta
Vidas Pinkevicius – Painting: Sleeping Beauty