Symphony

A symphony is a multi-movement form, usually tonal with the first movement in sonata allegro form. While originating as a suite of pieces for orchestra, as the tone palette of the organ grew, it migrated to a form for the newer romantic/symphonic organ. Though the very first organ symphony was written by German composer Wilhelm Valentin Volckmar in 1867, the genre is mainly associated with French romanticism. César Franck wrote what is considered to be the first French organ symphony in his Grand pièce symphonique, and the composers Charles-Marie Widor, who wrote ten organ symphonies, and his pupil Louis Vierne, who wrote six, continued to cultivate the genre. The Symphonie-Passion of Marcel Dupré is the reconstruction of an improvisation by Dupré that he made at Wanamaker’s in Philadelphia on 8 December 1921. While classical symphonies (and those written compositions) developed original material, it seems most improvised symphonies follow the pattern of Dupré in utilizing chants, chorales, or other themes known to the audience.

Videos:
Nigel Allcoat – Symphonie Improvisée on ‘Salve Regina’ – St Nicolas du Chardonnet, Paris
Jean-Baptiste Dupont – Symphonie improvisée playlist- St-Joseph, Bonn Beuel (Germany)
Noël Hazebroucq – Symphonie Improvisée 1: Allegro Sonate – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 2: Scherzo – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 3: Cantilène et toccata – La Madeleine, Paris
Otto Maria Krämer – Symphonie Francaise – Allegro ma non troppo
Otto Maria Krämer – Symphonie Francaise – Cantabile
Otto Maria Krämer – Symphonie Francaise – Scherzando on “Macht hoch die Tür”
Otto Maria Krämer – Symphonie Francaise – Prière
Otto Maria Krämer – Symphonie Francaise – Final

Otto Maria Krämer

OttoKraemerWebsite:
http://www.orgelimprovisationen.de

Otto Maria Krämer studied at the Folkwang Hochschule, Essen and at the Robert Schumann Hochschule Düsseldorf. His teacher was Wolfgang Seifen. In 1995 he won the first prize of the Concours d’Improvisation a l’orgue Montbrison. He teaches now in the Hochschule für Musik und Tanz in Cologne.


Recordings:

Otto Maria Kramer: Improvisations

Videos:
Suite Francaise – Plein jeu
Suite Francaise – Fugue
Suite Francaise – Récit
Suite Francaise – Basse de trompette
Suite Francaise – Quatuor
Suite Francaise – Duo
Suite Francaise – Tierce en taille
Suite Francaise – Dialogue sur les grands jeux
Symphonie Francaise – Allegro ma non troppo
Symphonie Francaise – Cantabile
Symphonie Francaise – Scherzando on “Macht hoch die Tür”
Symphonie Francaise – Prière
Symphonie Francaise – Final
Improvisation in Memoriam Marcel Dupré on “Ave maris stella”

Chant

Having served as the music of the Roman Catholic Church for hundreds of years, chant has been the subject of improvisations throughout many different stylistic periods and in many different forms.
Some popular chant themes include:

Videos:
Gerre Hancock – Improvised versets on the Magnificat Solemn Tone – April 4, 2004 – St. Thomas
Otto Maria Krämer – Improvisation in Memoriam Marcel Dupré on “Ave maris stella”
Loïc Mallié Improvisation sur deux thèmes grégoriens
Olivier Messiaen – Puer Natus Est – La Trinité
Pierre Pincemaille – Conditor Alme Siderum – St. Denis
William Porter – Improvisation: Four Modal Variations on Salve Regina: I (Theme and Plein jeu)
William Porter – Improvisation: Four Modal Variations on Salve Regina: II (Scherzo)
William Porter – Improvisation: Four Modal Variations on Salve Regina: III (Meditation)
William Porter – Improvisation: Four Modal Variations on Salve Regina: IV (Introduction and Passacaglia)

French Classical Style

The French classical style runs parallel with the German baroque. The organ had a highly standardized stoplist, in line with its (almost exclusively) liturgical use. The compositions were highly standardized too, generally named by the stops that were to be used (e.g Plein jeu, Basse de Trompette, Tierce en Taille) and the function within mass or the chant theme (e.g Kyrie, Gloria, Ave Maria Stella).

A series in the newsletter covered the style and the different movements and registrations often used during the period:

Videos:

Michel Chapuis – Grand Jeu Classique – St. Ouen
Michel Chapuis – Improvisations in French classical style – Chapelle Royale, Paris
Otto Maria Krämer – Suite Francaise – Plein jeu
Otto Maria Krämer – Suite Francaise – Fugue
Otto Maria Krämer – Suite Francaise – Récit
Otto Maria Krämer – Suite Francaise – Basse de trompette
Otto Maria Krämer – Suite Francaise – Quatuor
Otto Maria Krämer – Suite Francaise – Duo
Otto Maria Krämer – Suite Francaise – Tierce en taille
Otto Maria Krämer – Suite Francaise – Dialogue sur les grands jeux
Wolfgang Seifen – Suite in French Style – Marienbasilika – Kevelaer

Fugue

A fugue is a contrapuntal compositional technique in two or more voices, built on a subject (theme) that is introduced at the beginning in imitation (repetition at different pitches) and recurs frequently in the course of the composition.

David Briggs – Fugue at St. Sulpice
Otto Maria Krämer – Suite Francaise – Fugue
William Porter – O dass ich tausend Zunge hätte – Fugue