Tag Archives: Haarlem

Jos van der Kooy

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JosVanderKooyWebsite:
http://www.josvanderkooy.com

Jos van der Kooy is organist in residence at St Bavo’s Church in Haarlem (Müller organ), the Haarlem Philharmonie (Cavaillé-Coll organ), Westerkerk in Amsterdam (two organs), and the Gothic Hall at the Netherlands Council of State in The Hague. He studied organ and improvisation with Piet Kee at the Conservatory of Amsterdam where he was awarded the Prix d’Excellence in 1981. He was awarded first prize of the Haarlem International Improvisation Competition in 1980 and 1981 and the first prize of the National Improvisation Competition in Bolsward in 1978. He now teaches organ, improvisation and church music at the Academy of Arts of the University of Leiden, the Royal Conservatory in The Hague, and the International Summer Academy for organists in Haarlem.

He has performances that are included in the NCRV archive here, including an improvisation on Gezang 21. You can her him on Spotify.

Videos:
Jos van der Kooy – Improvisation on ‘Komt vrienden in den ronde’ – Joriskerk
Jos van der Kooy – Improvisation – St Maartenskerk

The Final C: COLOR!

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While I did not plan for the series to end this way, it seems appropriate that on this day when American are waving their red, white and blue to celebrate Memorial Day, the topic of the newsletter is color. Whether you are from the USA or somewhere else, I hope you will take a moment to express gratitude to those who gave their lives to enjoy the freedom that you are able to enjoy today.

Registration

While registration is an issue of competency, it also is an aspect of color. In the first issue on Competency, I expressed the need for an organist to be familiar with the registrations and combinations of organ stops available to him or her. Even a small organ of 12 stops offers 220 combinations of three stops! (You can check the math or try other numbers here.) While not all of these would project a sense of competency, I believe we fall into registrational habits and often fail to exploit all the colors an instrument may offer us. Instead of simply pulling out the 8′ Flute as a solo, why not try using a 4′ down one octave or a 2′ down two octaves? That 16′ reed in the swell might make a lovely 8′ solo stop if you play an octave higher. Using “non-traditional” registrations like this can also increase your mental dexterity and make it easier for you to play a melody or theme with the left hand or pedal.

Melody

Speaking of melody, a layer of color can come from melody notes that are non-chord tones and the contour of the melody itself. Every style (see The 3rd C: Coherent) has a set of rules for the relationship of melody to harmony with guidelines for how to treat non-chord tones. One simple exercise that was given to me by Philippe Lefebvre for finding colorful melodies was to hold a chord with the left hand and only play notes not in the chord with the right hand. It will take trial and error to discover which notes of the scale work best with what sort of chords, but let your ear be your guide. Perhaps the simplest rule I ever heard for non-chord tones came from Gerre Hancock in his admonition “Salvation is always a half-step away.” If you play something that sounds a little off, chances are there is a note right next to it that will sound better, and if you can repeat yourself and play it again, you become convincing and colorful at the same time!

Harmony

A lot of my instruction in improvisation has focused on building and creating my own harmonic language. One of the ways to do this is to take a colorful harmonic progression from a written composition, memorize it, and then transpose it into all possible keys. Here’s a sample from the first movement of Louis Vierne‘s Symphonie no. 3:

VierneHarmonySequenceSm2
The pedal part is an ornamented pedal point. (We could consider it a melodic way to add color to a static note!) The manuals could be simplified by only playing beats one and three of the chords. With these adjustments, we have a progression ready to transpose into all other keys and will be adding a new way to color a pedal point to our harmonic vocabulary.

What passages from repertoire do you find colorful? Examine them closely, simply if necessary and transpose them to make them part of your improvisational vocabulary. I’d love to know which composers and pieces you find inspirational.

Happy Memorial Day!

May all your improvs be colorful!

Glenn Osborne

 
Recent additions to organimprovisation.com:

The Store

has been greatly expanded. There are now over a dozen method books and over fifty recordings with a separate section now for Pierre Cochereau!

Organists:

Themes:

 
Newsletter Issue 5 – 2014 05 26
See the complete list of past newsletter issues here.
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1953 Haarlem Improvisation Themes

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Improv-Themes-2At the 1953 Haarlem Improvisation Competition, the contestants were Paul Barras, Anton Heiller, Piet Kee (winner), Matthieu Prange and Karl Richter. Adriaan Engles provided the themes and asked for a Sonata in three movements according to the instructions shown with the themes. Thanks to the NCRV archives it is possible to hear the improvisations of the finalists (Anton Heiller, Piet Kee and Karl Richter) through the links below:

Many other improvisations and performances are available through the NCRV archives here.

Jaroslav Tůma

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jaroslav_tumaWebsite:
http://www.jaroslavtuma.cz/?site=en

Jaroslav Tůma was born and educated in Prague. He graduated from the Prague Conservatory and the Academy of Musical Arts, where he now teaches organ performance and improvisation. He earned first prizes at both the Haarlem and Nuremberg improvisation competitions.


Recordings:

Organ Improvisations by Jaroslav Tůma
He has several other recordings available through ARTA Records.

Audio:
Jaroslav Tůma – Entry in the 36th Haarlem Improvisation Competition

Videos:
Jaroslav Tuma- Improvisation on Themes from Lefebure-Wely and Dvorak – Church Emersleben, near Magdeburg

2014 Summer Courses

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In addition to the offerings at the AGO National Convention in Boston, there are several other courses around the world offering improvisation instruction during the summer of 2014. Please feel free to share information about other courses in the comments. I will try to add to the list as I find out about other offerings.

London Organ Improvisation Course
http://www.loic.org.uk
15-18 July 2014
The London Organ Improvisation Course is intended to help organists of all standards to improve their improvising skills for personal musical development, service-playing, concerts and for the examinations of the Royal College of Organists. One day of the course will take place in St. Albans and will include a concert by the guest teacher, Franz Josef Stoiber, Organist of Regensberg Cathedral, Germany. Other teachers for the course include: Ronny Krippner, Duncan Middleton, and Gerard Brooks, Course Director.

Masterclass: Masters Of Ste Clotilde
http://steclotilde-organ.tk/
Monday June 30 to Wednesday July 2 2014
Monday to Wednesday, morning: (9h-12h):
Franck, Tournemire, Pierne, Duruflé, Bonnal, Langlais, Cogen,…
Monday and Tuesday Afternoon (14h-17h): Improvisation
with Olivier Penin and Nicolas Pichon

Classical Music On The Spot:
Eighteenth-Century Keyboard Improvisation
Eastman School of Music • 26 Gibbs St. • Rochester, NY 14604
Workshop I: June 30-July 4 / Monday-Friday, 9:00 a.m.-5:00 p.m.
Workshop II: July 7-11 / Monday-Friday, 9:00 a.m.-5:00 p.m.
Gilad Rabinovitch & Johnandrew Slominski, directors
Two weeklong 18th-century keyboard improvisation workshops in which students will hone their improvisation skills and deepen their understanding of the galant and high classical styles. There will be a special emphasis on the Italian tradition of partimenti and on Robert Gjerdingen’s galant schemata as a basis for keyboard improvisation. Analysis and listening will complement practical improvisation activities. The first workshop will be an introduction to style improvisation; the second workshop will examine advanced topics (including ornamentation and performance practice) and treatises (Quantz, C.P.E. Bach, Niedt, and the Langloz Manuscript).

Haarlem International Summer Academy for Organists
http://www.organfestival.nl
12 – 26 July 2014
Improvisation for advanced students: an extended, 11-day course for advanced improvisers directed by Jürgen Essl (Stuttgart) and Peter Planyavsky (Vienna).
Improvisation for beginners: A 5-day course with the Haarlem Stadsorganist Jos van der Kooy, well-known for his sympathetic and encouraging approach to professional organists lacking improvisation skills.

International Summer Organ Conservatoire
http://organconservatoire.org/
July 12th – 28th 2014
Directed by Nigel Allcoat with guests, Prof. Erwin Wiersinga (Berlin University of Arts and the Martinikerk, Groningen), and Prof. William Whitehead (London). The first week is in Saint-Antoine l’Abbaye (12-19 July) and the second week is in Poligny (20-28 July).

The Saessolsheim Organ Academy 2014
http://www.asamos.org/
23-30 July 2014
Saessolsheim, Alsace, France
Improvisation instruction will be offered during this course by Francis Jacob.

Smarano Organ and Clavichord Academy
The 18th Century Fantasia and C.P.E. Bach
29 Jul – 8 Aug, Venice-Smarano, Italy
Will include sessions on improvisation: “Free Fantasia” and “Stylus Fantasticus” at the keyboards by William Porter and Edoardo Bellotti.

South German Organ Academy OAO 2014
31 July – 3 August 2014
Organ class on the 1784 Holzhey Organ in Obermarchtal Monastery with a visit to the ISAM (International Summer Academy of Music) Organ Class in Ochsenhausen with Jürgen Essl.
Johannes Mayr will teach a participant’s free choice of repertoire from early Baroque to early Romantic and/or improvisation.

Organ course with Ansgar Wallenhorst
Glenstal Abbey
County Limerick, Ireland
August 11th-13th 2014
Taught by Ansgar Wallenhorst, this workshop is open to organists at every level of ability who wish to develop their own creativity in improvisation either in the context of liturgical services or in concert performance. With a combination of group work in the mornings (9.00-12.00) and individual lessons in the afternoon (15.00-17.45), the workshop will be adapted to the abilities, tastes and preferences of the individual participants. Participants are invited to bring music which they already play or are learning as an indication and basis for developing according to their own level and stylistic preferences. Evening sessions will include, on Monday, an exploration of improvisational style in Irish traditional music Cas Amhrán Cráifeach – a poetics of religious and secular song from the Irish sean-nós tradition with Nóirín Ní Riain PhD, and a short recital on Tuesday.

International Organ Academy Improvisation Course
1-5 September 2014
Improvisation course by Thierry Escaich on the Schwenkedel organ of the St Donat Church (France)

Faszination Orgelimprovisation
3–6 September 2014, Waldsassen, Germany
Course for Organists by Franz Josef Stoiber

Free Themes

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For our purposes here, free themes will be considered musical material written by someone else that is not associated with any lyrics. It may be a theme from another musical composition or newly written material.
For example:

Other examples from improvisation competitions are shown below.

2005improvisation1


2005improvisation2


thema 1 website


thema 2 website


See also the themes from the 1953 Haarlem Improvisation Competition. There are also links to hear the performance of each of the competitors.

Sietze de Vries

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sietze_de_vries


Official website:
http://www.sietzedevries.nl/

Sietze de Vries received his professional training from, among others, Wim van Beek, Jan Jongepier and Jos van der Kooy. He was awarded his undergraduate degree at the Groningen Conservatoire; at the Royal Conservatoire in The Hague he completed his post-graduate studies with an endorsement for improvisation. In addition, he graduated from the Alkmaar school for church music with the Dutch church music diploma.

Between 1987 and 2002 he won fifteen prizes at various national and international competitions for both repertoire and improvisation. The pinnacle, and also the conclusion, of that period was his triumph at the International Improvisation competition in Haarlem in 2002. On two previous occasions he had been a finalist.

He has many recordings available here:
http://sietze-devries.magix.net/
Many of these recordings have been shared on YouTube by the user Henk van den Brink.

DeVriesHarmonizingHe has written a book- Harmonizing: A Method to Encourage the Art of Improvising which covers basic theory while gradually moving toward improvising using I, IV, and V in easier keys. As the book advances, he includes harmonizing and improvisation on ii, iii, and vi as well as in minor keys and even church modes. Published by Boeijenga Music Publications. Available from the OHS Catalog here.


Videos:
Sietze de Vries – Improvisation on Psalm 130 – Grote kerk, Brouwershaven
Sietze de Vries – Improvisation on’The Old Hundredth’ – Martinikerk, Groningen

Lionel Rogg

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LionelRoggOfficial website:
http://www.lionelrogg.ch/

Professor of Organ at the Geneva Conservatory until 2001, Lionel Rogg has welcomed students from all over the world. He frequently gives master-classes and is now professor of organ and improvisation at the Royal Academy of Music in London.


RoggImprovCourseVol1He has written an Improvisation Course for organists, published in French and English by Editions Musicales de la Schola Cantorum. Volume 1 is practical harmony, ornamental counterpoint and chorale. Volume 2 is modal and free style. See a complete review of volume 1 here.


Recordings:

Organ Improvisations on Bach Toccata & Fugue in D Minor
This recording features many performers, including Lionel Rogg, Barbara Dennetlein, Frederic Blanc, Holm Vogel, Johannes Mayr, Vincent Thevenaz, and David Franke. There is a video below that is likely made from this recording, but until I get a copy of the recording this is an unverified claim.

Audio:
Lionel Rogg – Variations and Fugue on a theme of Albert de Klerk – 15th Haarlem Improvisation Competition

Videos:
Improvisation sur la Toccata en ré mineur
Lionel Rogg – Interlude improvisé – Hofkirche, Lucerne

Competitions

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While decidedly fewer in number than competitions in organ performance, there are still a few improvisation competitions that take place. Below are brief descriptions of different competitions with links to the competition website for more information.

Chartres

The competition in improvisation consists of a pre-selection recorded round, two live eliminatory rounds (¼ finals and ½ finals) and a final round. The final round will take place on the great organ in Chartres Notre-Dame Cathedral. The competition takes place every four years with the next one anticipated to be in 2016.

Haarlem

The Haarlem International Organ Competition takes place every year in July and is open to organists under the age of 40. A pre-selection recorded round selects eight applicants to compete live in two elimination rounds. The final competition will take place on the Müller organ (1738 / IIIP / 62) in St Bavo’s Church.

NCOI

The American Guild of Organists National Competition in Organ Improvisation takes place every other year during the national convention of the American Guild of Organists. The competition is open to all organists regardless of age or citizenship.

Peter Planyavsky

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PlanyavskyFrom 1969 to 2004, Peter Planyavsky was organist at Vienna’s cathedral Stephansdom (St. Stephen’s Cathedral), and in the years 1983 to 1990 was Dommusikdirektor, director of music with overall responsibility for the church music at the cathedral.

Full bio.


Recordings:
Peter Planyavsky Improvises
Motette Records, 2004


Improvises on the Vienna Stephansdom Organ

ohscatalog_2270_29840059Planyavsky Improvises In Cathedrals at Bremen & Brixen
MotetteCD-10541


Audio:
Peter Planyavsky – Entry in the 21st Haarlem Improvisation Competition