Symphony

A symphony is a multi-movement form, usually tonal with the first movement in sonata allegro form. While originating as a suite of pieces for orchestra, as the tone palette of the organ grew, it migrated to a form for the newer romantic/symphonic organ. Though the very first organ symphony was written by German composer Wilhelm Valentin Volckmar in 1867, the genre is mainly associated with French romanticism. César Franck wrote what is considered to be the first French organ symphony in his Grand pièce symphonique, and the composers Charles-Marie Widor, who wrote ten organ symphonies, and his pupil Louis Vierne, who wrote six, continued to cultivate the genre. The Symphonie-Passion of Marcel Dupré is the reconstruction of an improvisation by Dupré that he made at Wanamaker’s in Philadelphia on 8 December 1921. While classical symphonies (and those written compositions) developed original material, it seems most improvised symphonies follow the pattern of Dupré in utilizing chants, chorales, or other themes known to the audience.

Videos:
Nigel Allcoat – Symphonie Improvisée on ‘Salve Regina’ – St Nicolas du Chardonnet, Paris
Jean-Baptiste Dupont – Symphonie improvisée playlist- St-Joseph, Bonn Beuel (Germany)
Noël Hazebroucq – Symphonie Improvisée 1: Allegro Sonate – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 2: Scherzo – La Madeleine, Paris
Noël Hazebroucq – Symphonie Improvisée 3: Cantilène et toccata – La Madeleine, Paris
Otto Maria Krämer – Symphonie Francaise – Allegro ma non troppo
Otto Maria Krämer – Symphonie Francaise – Cantabile
Otto Maria Krämer – Symphonie Francaise – Scherzando on “Macht hoch die Tür”
Otto Maria Krämer – Symphonie Francaise – Prière
Otto Maria Krämer – Symphonie Francaise – Final

Jean-Baptiste Dupont

JBDpress05Website:
http://www.jeanbaptistedupont.com/Page%20Home.htm

Born in 1979, Jean-Baptiste Dupont began his musical studies at the piano. He discovered the organ later, at the age of 12 and began organ studies at the Institute of Sacred Music of Toulouse. He graduated with distinction from the organ departement at the Conservatoire in Toulouse. His teachers have included Michel Bouvard, Louis Robilliard, Philippe Lefebvre, Jan Willem Jansen and Thérèse Dussaut. He received the 1st prize (improvisation) in St-Albans international competition in July 2009.

In April 2012, Jean-Baptiste Dupont became the organist of the Bordeaux Cathedral.


YouTube Channel:
https://www.youtube.com/user/organeux

Videos:
Jean-Baptiste Dupont – improvisation on the paintings of M.K.Churlionis
Jean-Baptiste Dupont – Symphonie improvisée playlist- St-Joseph, Bonn Beuel (Germany)
Jean-Baptiste Dupont – Improvisation at St-John the Divine, New York, NY

Anthony Hammond

AnthonyHammondWebsite:
www.anthonyhammond.com
You can hear him on Spotify.

Equally renowned as an interpreter and improviser, Dr. Anthony Hammond studied the organ in England with Roger Fisher and David Briggs, and in Paris with Dr. Naji Hakim. A graduate of the University of Bristol, he held posts at Chester Cathedral and St. Mary Redcliffe Church, Bristol, before spending a period as Sub-Organist at Bristol Cathedral. Today he is the Director of Music and Organist of Cirencester Parish Church. A Fellow of the Royal College of Organists and winner of the Dixon Prize for Improvisation, his passion for French organ music and improvisation led to doctoral research into the career and technique of legendary French organist and improviser Pierre Cochereau, for which he was awarded his Ph.D. in July 2010.

He has reconstructed a Symphony improvised in 1972 by Pierre Cochereau at St. Mary’s Cathedral, San Francisco, and the score is now published by Dr. J. Butz Musikverlag. This piece is included on his recording A Phenomenon Without Equal.


Book:

Pierre Cochereau (Eastman Studies in Music)

Recordings:

French Organ Masterworks & Improvisations

Improvisations for the Church Year / Organ of St. Mary Redcliffe


A Phenomenon Without Equal / French Organ Improvisation / The Organ of Blackburn Cathedral
Contains reconstructed improvisations by Louis Vierne, Marcel Dupré, Charles Tournemire, and Pierre Cochereau played by Anthony Hammond.

Videos:
Anthony Hammond – four part symphony – Mother Church, the First Church of Christ, Scientist in Boston, Massachusetts
Anthony Hammond – Improvisation on “Pange Lingua” – Bradford Cathedral

Salve Regina

Salve Regina - Solemn Tone

Salve Regina –
Solemn Tone

Salve, Regina, Mater misericordiae,
vita, dulcedo, et spes nostra, salve.
Ad te clamamus exsules filii Hevæ,
Ad te suspiramus, gementes et flentes
in hac lacrimarum valle.
Eia, ergo, advocata nostra, illos tuos
misericordes oculos ad nos converte;
Et Jesum, benedictum fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia, O dulcis Virgo Maria.

Salve Regina, also known as Hail Holy Queen, is one of four Marian chant antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. It is traditionally sung at compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. It is also the final prayer of the rosary. There are two typical chant versions referred to as the solemn tone (above) and the simple tone (below). The solemn chant is in the Dorian mode while the simple chant is in the Lydian mode.

See a list of other popular chant themes here.

Salve Regina - Simple Tone

Salve Regina –
Simple Tone




Videos:
Nigel Allcoat – Symphonie Improvisée on ‘Salve Regina’ – St Nicolas du Chardonnet, Paris
Wm. Glenn Osborne – Postlude on ‘Salve Regina’ – Cathedral of Mary Our Queen, Baltimore
William Porter – Improvisation: Four Modal Variations on Salve Regina: I (Theme and Plein jeu)
William Porter – Improvisation: Four Modal Variations on Salve Regina: II (Scherzo)
William Porter – Improvisation: Four Modal Variations on Salve Regina: III (Meditation)
William Porter – Improvisation: Four Modal Variations on Salve Regina: IV (Introduction and Passacaglia)